Goldfinger: The Design of an Iconic Film Title
Summary information
Date
Fri Oct 05 2012 until Mon Mar 18 2013
Location
- MoMA type:exhibition building spaces
- 11 West 53rd St. type:thoroughfare names
Concurrent exhibitions
Exhibitions that overlap with this exhibition, in this dataset. Double-click an item in the timeline to view the corresponding exhibition page.
Goldfinger: The Design of an Iconic Film Title
Tim Burton
Plywood: Material, Process, Form
Contemporary Galleries: 1980–Now
Painting and Sculpture Changes 2012
Public Spaces Changes 2012
9 Scripts from a Nation at War
MoMA Media Lounge 2012
Born out of Necessity
The Modern Restaurant Window - Andrea Zittell
Shaping Modernity: Design 1880–1980, Part 2
New to the Print Collection: Matisse to Bourgeois
Century of the Child: Growing by Design, 1900–2000
Eyes Closed/Eyes Open: Recent Acquisitions in Drawings
Quay Brothers: On Deciphering the Pharmacist's Prescription for Lip-Reading Puppets
Projects 98: Slavs and Tatars
Bruce Nauman: The 1980s
Performing Histories (1)
9+1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design
New Photography
Alina Szapocznikow: Sculpture Undone, 1955–1972
Some Sweet Day. Steve Paxton's Video Installation: "Weight of Sensation"
Some Sweet Day. Steve Paxton: "State" and "Satisfyin' Lover"
Some Sweet Day. Jerome Bel: "The Show Must Gone On"
Some Sweet Day. Faustin Linyekula: "What is Black Music Anyway…/Self Portraits"
Some Sweet Day. Dean Moss and Laylah Ali: "Voluntaries"
Edvard Munch: The Scream
Some Sweet Day. Kevin Beasley: "I Want My Spot Back"
Some Sweet Day. Sarah Michelson: "Devotion Study #3"
Some Sweet Day. Deborah Hay: "Blue"
Artist's Choice: Trisha Donnelly
Meta-Monumental Garage Sale
Tokyo 1955–1970: A New Avant-Garde
Shadow Monsters
Christian Marclay - The Clock
Inventing Abstraction: 1910–1925
Public Spaces Changes 2013
Painting and Sculpture Changes 2013
MoMA Media Lounge 2013
Projects 99: Meiro Koizumi
Performing Histories: Live Artworks Examining the Past. Eiko and Koma: "The Caravan Project," in conjunction with the exhibition, Tokyo 1955–1970: A New Avant-Garde
Wolfgang Laib
Performing Histories: Live Artworks Examining the Past. Kelly Nipper with Japanther: "Tessa Pattern Takes a Picture," in conjunction with the exhibition, Inventing Abstraction: 1910–1925
Performing Histories: Live Artworks Examining the Past. Fabian Barba: "A Mary Wigman Dance Evening," in conjunction with the exhibition, Inventing Abstraction: 1910–1925
Glamour Vérité - Paris/Hollywood: Cinema's "Pour Vous" Magazine, 1928–1940
Performing Histories: Live Artworks Examining the Past. Ei Arakawa: "Paris and Wizard: The Musical," in conjunction with the exhibition, Tokyo 1955–1970: A New Avant-Garde
Performing Histories: Live Artworks Examining the Past. Trajal Harrel: "Used, Abused, and Hung Out to Dry," in conjunction with the exhibition, Tokyo 1955–1970: A New Avant-Garde
Wait, Later this will be Nothing: Editions by Dieter Roth
Applied Design
Performing Histories: Live Artworks Examining the Past. Simone Forti: "King's Fool" in conjunction with the exhibition, Performing Histories (1)
Bill Brandt: Shadow and Light
Henri Labrouste: Structure Brought to Light
A Trip from Here to There
Abstract Generation: Now in Print
Matt Connors: Impressionism
Now Dig This: Art and Black Los Angeles 1960-1980
New Pictures of Common Objects
Ferhat Özgürr: I Can Sing
Thomas Lanigan-Schmidt:
Tender Love Among the Junk
Huma Bhabha: Unnatural Histories
Pier Paolo Pasolini:
*Teorema, Medea*, and *Saló*, or *The 120 Days of Sodom*
Ed Atkins
Cyprien Gaillard: The Crystal World
Jeff Elrod: Nobody Sees Like Us
Metahaven: Islands in the Cloud
CONFETTISYSTEM: 100 Arrangements
Concurrent exhibitions grouped by organisation
| # | Start | End | Title |
|---|---|---|---|
| 1 | Matt Connors: Impressionism | ||
| 2 | Now Dig This: Art and Black Los Angeles 1960-1980 | ||
| 3 | New Pictures of Common Objects | ||
| 4 | Ferhat Özgürr: I Can Sing | ||
| 5 | Thomas Lanigan-Schmidt: Tender Love Among the Junk | ||
| 6 | Huma Bhabha: Unnatural Histories | ||
| 7 | Pier Paolo Pasolini: *Teorema, Medea*, and *Saló*, or *The 120 Days of Sodom* | ||
| 8 | Ed Atkins | ||
| 9 | Cyprien Gaillard: The Crystal World | ||
| 10 | Jeff Elrod: Nobody Sees Like Us | ||
| 11 | Metahaven: Islands in the Cloud | ||
| 12 | CONFETTISYSTEM: 100 Arrangements |
Artists
There were 4 persons who influenced this exhibition.
Persons are ordered alphabetically by surname. Select a letter in the concertina to continue. Click on the person's name to view further information.
Robert Brownjohn
Biographical statement American, 1926–1970
Born 1926 (click to view other people born in this year)Died 1970
Nationality American
Gender Male
External information resources for Robert Brownjohn
Exhibitions
In this dataset, Robert Brownjohn was involved in 4 exhibitions across 2 decades.
- Decade(s) with the most number of exhibitions was the 2010s with 3 exhibitions.
- Decade with the least number of exhibitions was the 1950s with 1 exhibitions.
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | The Package |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Goldfinger: The Design of an Iconic Film Title | |||
| 2 | Hand Signals: Digits, Fists, and Talons | |||
| 3 | Designing Modern Women 1890–1990 |
Richard Hamilton
Biographical statement British, 1922–2011
Born 1922 (click to view other people born in this year)Died 2011
Nationality British
Gender Male
External information resources for Richard Hamilton
Exhibitions
In this dataset, Richard Hamilton was involved in 61 exhibitions across 6 decades.
- Decade(s) with the most number of exhibitions was the 1970s with 16 exhibitions.
- Decade with the least number of exhibitions was the 1960s with 4 exhibitions.
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | London/New York/Hollywood: A New Look in Prints | |||
| 2 | Christmas Show | |||
| 3 | Manhattan Observed | |||
| 4 | Drawings: Recent Acquisitions |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Pop Art Prints, Drawings, and Multiples | |||
| 2 | Popular Mechanics in Printmaking | |||
| 3 | A Selection of Drawings and Watercolors from the Museum Collection | |||
| 4 | The Artist as Adversary | |||
| 5 | Ways of Looking | |||
| 6 | Prints for Collectors | |||
| 7 | Etchings Etc. | |||
| 8 | 25 Recent Acquisitions | |||
| 9 | Works on Paper | |||
| 10 | Recent Acquisitions, 1968–1973 | |||
| 11 | Collage and the Photo-Image | |||
| 12 | Drawing Now: 1955–1975 | |||
| 13 | Bookworks | |||
| 14 | British Drawings | |||
| 15 | Artists by Artists | |||
| 16 | A Treasury of Modern Drawing: The Joan and Lester Avnet Collection |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Printed Art: A View of Two Decades | |||
| 2 | Around Picasso | |||
| 3 | Prints: Acquisitions 1977–1981 | |||
| 4 | Selections from the Permanent Collection: Prints and Illustrated Books | |||
| 5 | American Prints: 1900–1960; Recent Acquisitions: Illustrated Books | |||
| 6 | Recent Acquisitions: Contemporary Prints | |||
| 7 | BERLINART 1961–1987 | |||
| 8 | Drawing since 1940 | |||
| 9 | The Pop Project, Part I: This is Tomorrow, Today: The Independent Group and British Pop Art | |||
| 10 | Master Prints from the Collection | |||
| 11 | Recent Acquisitions |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Artist's Choice: Chuck Close, Head-On/The Modern Portrait | |||
| 2 | Contemporary European Prints | |||
| 3 | Master Prints from the Collection | |||
| 4 | Modern British Drawings: A Selection from the Collection | |||
| 5 | Semblances | |||
| 6 | Adding It Up: Print Acquisitions 1970–1995 | |||
| 7 | Philip Johnson: Architecture and Design Gifts | |||
| 8 | The Maximal Sixties: Pop, Op, and Figuration | |||
| 9 | Objects of Desire: The Modern Still Life | |||
| 10 | From Henri Toulouse Lautrec to Andy Warhol: Exploring Techniques | |||
| 11 | Pop Impressions Europe/USA: Prints and Multiples from the Museum of Modern Art |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | War | |||
| 2 | Pop and After | |||
| 3 | The Path of Resistance | |||
| 4 | About Face | |||
| 5 | Collaborations with Parkett: 1984 to Now | |||
| 6 | Painting and Sculpture: Inaugural Installation | |||
| 7 | Artists and Prints: Part 2 | |||
| 8 | Into Me/Out of Me | |||
| 9 | Eye on Europe: Prints, Books and Multiples/1960 to Now | |||
| 10 | Defamation of Character | |||
| 11 | Painting and Sculpture Changes 2008 | |||
| 12 | Pipe, Glass, Bottle of Rum: The Art of Appropriation | |||
| 13 | Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection | |||
| 14 | 1969 |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Contemporary Art from the Collection | |||
| 2 | Painting and Sculpture Changes 2011 | |||
| 3 | Gifted: Collectors and Drawings at MoMA, 1929–1983 | |||
| 4 | Goldfinger: The Design of an Iconic Film Title | |||
| 5 | Cut 'n' Paste: From Architectural Assemblage to Collage City |
László Moholy-Nagy
Biographical statement American, born Hungary. 1895–1946
Born 1895 (click to view other people born in this year)Died 1946
Nationality American
Gender Male
External information resources for László Moholy-Nagy
Exhibitions
In this dataset, László Moholy-Nagy was involved in 110 exhibitions across 9 decades.
- Decade(s) with the most number of exhibitions was the 1970s with 20 exhibitions.
- Decade with the least number of exhibitions was the 1930s with 6 exhibitions.
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Summer Exhibition: Painting and Sculpture | |||
| 2 | Modern European Art | |||
| 3 | Cubism and Abstract Art | |||
| 4 | Fantastic Art, Dada, Surrealism | |||
| 5 | Photography 1839–1937 | |||
| 6 | Bauhaus: 1919–1928 |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Sixty Photographs: A Survey of Camera Esthetics | |||
| 2 | Preliminary Course of the Bauhaus | |||
| 3 | American Photographs at $10 | |||
| 4 | New Acquisitions: Photographs | |||
| 5 | How to make a Photogram | |||
| 6 | 20th Century Sculpture and Constructions | |||
| 7 | Action Photography | |||
| 8 | Photography | |||
| 9 | The Museum Collection of Photographs | |||
| 10 | New Acquisitions | |||
| 11 | 50 Photographs by 50 Photographers | |||
| 12 | Collage | |||
| 13 | Master Prints from the Museum Collection | |||
| 14 | Modern Art in Your Life |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Three Modern Styles | |||
| 2 | Abstraction in Photography | |||
| 3 | Then and Now | |||
| 4 | XXVth Anniversary Exhibition: Paintings from the Museum Collection | |||
| 5 | Modern Masterprints of Europe | |||
| 6 | Recent European Acquisitions | |||
| 7 | Recent American Acquisitions | |||
| 8 | 50 Selections from the Collection of Mr. and Mrs. Walter Bareiss | |||
| 9 | Photographs from the Museum Collection | |||
| 10 | 30th Anniversary Special Installation - Towards the "New" Museum |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | The Sense of Abstraction | |||
| 2 | 50 Photographs by 50 Photographers | |||
| 3 | Fifty Drawings: Recent Acquisitions | |||
| 4 | Recent Acquisitions | |||
| 5 | Towards the "New" Museum of Modern Art: A Bid for Space IV | |||
| 6 | Drawings from the Museum Collections: A Selection | |||
| 7 | The Photographer's Eye | |||
| 8 | Edward Steichen Photography Center | |||
| 9 | Drawings from the Museum Collection | |||
| 10 | Steichen Gallery Reinstallation | |||
| 11 | Word and Image: Posters and Typography from the Graphic Design Collection of the Museum of Modern Art, 1879–1967 | |||
| 12 | Photography as Printmaking | |||
| 13 | Drawings by Sculptors: A Selection from the Collection |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Preliminary Drawings | |||
| 2 | Photo Eye of the 20s | |||
| 3 | Summer Show | |||
| 4 | Summer Penthouse | |||
| 5 | Ways of Looking | |||
| 6 | Collage and the Photo-Image | |||
| 7 | Published in Germany, 1923 | |||
| 8 | Kertész, Rodchenko, and Moholy-Nagy: Photographs from the Collection | |||
| 9 | In the Twenties | |||
| 10 | Cubism and Its Affinities | |||
| 11 | Prints from the Collection | |||
| 12 | Between World Wars: Drawing in Europe and America | |||
| 13 | Extraordinary Men | |||
| 14 | The Graphic Revolution: 1915–1935 | |||
| 15 | Abstraction-Création, Art Non-Figuratif | |||
| 16 | Artists and Writers | |||
| 17 | Thirty Sculptors' Drawings | |||
| 18 | Art of the Twenties | |||
| 19 | In the Twenties: Portraits from the Photography Collection | |||
| 20 | Edward Steichen Photography Center Reinstallation |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Reinstallation of the Collection | |||
| 2 | Marcel Breuer: Furniture and Interiors | |||
| 3 | Prints: Acquisitions 1977–1981 | |||
| 4 | Prints from Blocks: Gauguin to Now | |||
| 5 | Selections from the Permanent Collection: Prints and Illustrated Books | |||
| 6 | Contrasts of Form: Geometric Abstract Art, 1910–1980 | |||
| 7 | Self Portrait: The Photographer's Persona, 1840–1985 | |||
| 8 | Sculptors' Drawings | |||
| 9 | European Drawing Between the Wars | |||
| 10 | Collage: Selections from the Permanent Collection | |||
| 11 | Abstractions | |||
| 12 | Painters for the Theater |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Photography Until Now | |||
| 2 | Art of the Forties | |||
| 3 | Selections from the Collection | |||
| 4 | A Century of Artists Books | |||
| 5 | Adding It Up: Print Acquisitions 1970–1995 | |||
| 6 | Master Prints From the Collection | |||
| 7 | From Bauhaus to Pop: Masterworks Given by Philip Johnson | |||
| 8 | More than One: Twentieth-Century Print Portfolio | |||
| 9 | Modern Starts: Things |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Graphic-Photographic | |||
| 2 | Seeing Double | |||
| 3 | Drawings from the Modern 1880–1945 | |||
| 4 | Photography: Inaugural Installation | |||
| 5 | Painting and Sculpture: Inaugural Installation | |||
| 6 | Architecture and Design: Inaugural Installation | |||
| 7 | Artists and Prints: Part 3 | |||
| 8 | Photography Collection: Rotation 3 | |||
| 9 | Photography Collection: Rotation 4 | |||
| 10 | Painting and Sculpture Changes 2007 | |||
| 11 | Edward Steichen Photography Collection Galleries: Rotation 5 | |||
| 12 | Geometry of Motion, 1920s/1970s | |||
| 13 | Geo/Metric: Prints and Drawings from the Collection | |||
| 14 | Photography Collection: Rotation 6 | |||
| 15 | Bauhaus 1919–1933: Workshops for Modernity |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Painting and Sculpture Changes 2010 | |||
| 2 | Underground Gallery: London Transport Posters, 1920s–1940s | |||
| 3 | Painting and Sculpture Changes 2011 | |||
| 4 | Photography Collection: Rotation | |||
| 5 | Public Spaces Changes 2012 | |||
| 6 | The Shaping of New Visions: Photograph, Film, Photobook | |||
| 7 | Goldfinger: The Design of an Iconic Film Title | |||
| 8 | Inventing Abstraction: 1910–1925 | |||
| 9 | Painting and Sculpture Changes 2013 | |||
| 10 | Hand Signals: Digits, Fists, and Talons | |||
| 11 | Cut 'n' Paste: From Architectural Assemblage to Collage City |
Herbert Spencer
Biographical statement
Born (click to view other people born in this year)Died
Nationality
Gender Male
External information resources for Herbert Spencer
Exhibitions
In this dataset, Herbert Spencer was involved in 1 exhibitions across 1 decades.
- Decade(s) with the most number of exhibitions was the 2010s with 1 exhibitions.
- Decade with the least number of exhibitions was the 2010s with 1 exhibitions.
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Goldfinger: The Design of an Iconic Film Title |