Edward Steichen's Delphiniums
Summary information
Date
Wed Jun 24 1936 until Thu Jul 02 1936
Location
- MoMA type:exhibition building spaces
- 11 West 53rd St. type:thoroughfare names
Concurrent exhibitions
Exhibitions that overlap with this exhibition, in this dataset. Double-click an item in the timeline to view the corresponding exhibition page.
Edward Steichen's Delphiniums
Modern Painters and Sculptors as Illustrators
Architecture in Government Housing
Modern Exposition Architecture
Concurrent exhibitions grouped by organisation
| # | Start | End | Title |
|---|---|---|---|
| 1 | Modern Painters and Sculptors as Illustrators | ||
| 2 | Architecture in Government Housing | ||
| 3 | Modern Exposition Architecture |
Artists
There were 1 persons who influenced this exhibition.
Persons are ordered alphabetically by surname. Select a letter in the concertina to continue. Click on the person's name to view further information.
Edward Steichen
Biographical statement American, born Luxembourg. 1879–1973
Born 1879 (click to view other people born in this year)Died 1973
Nationality American
Gender Male
External information resources for Edward Steichen
Exhibitions
In this dataset, Edward Steichen was involved in 74 exhibitions across 9 decades.
- Decade(s) with the most number of exhibitions was the 1960s with 15 exhibitions.
- Decade with the least number of exhibitions was the 1930s,2010s with 5 exhibitions.
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Murals by American Painters and Photographers | |||
| 2 | Objects: 1900 and Today | |||
| 3 | Edward Steichen's Delphiniums | |||
| 4 | Photography 1839–1937 | |||
| 5 | Three Centuries of American Art |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Sixty Photographs: A Survey of Camera Esthetics | |||
| 2 | Isadora Duncan: Drawings, Photographs, Memorabilia | |||
| 3 | Portraits | |||
| 4 | Photography | |||
| 5 | The Museum Collection of Photographs | |||
| 6 | Alfred Stieglitz Exhibition: His Collection | |||
| 7 | 50 Photographs by 50 Photographers | |||
| 8 | Photo-Secession (American Photography 1902–1910) |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Color Photography | |||
| 2 | Abstraction in Photography | |||
| 3 | Then and Now | |||
| 4 | The Family of Man | |||
| 5 | 70 Photographers Look at New York | |||
| 6 | Photographs from the Museum Collection | |||
| 7 | 30th Anniversary Special Installation - Towards the "New" Museum |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | The Sense of Abstraction | |||
| 2 | Portraits from the Museum Collection | |||
| 3 | Art Nouveau | |||
| 4 | Photographs for Collectors | |||
| 5 | Towards the "New" Museum of Modern Art: A Bid for Space, Part II | |||
| 6 | Steichen the Photographer | |||
| 7 | 50 Photographs by 50 Photographers | |||
| 8 | Towards the "New" Museum of Modern Art: A Bid for Space IV | |||
| 9 | The Photographer and the American Landscape | |||
| 10 | The Photographer's Eye | |||
| 11 | Edward Steichen Photography Center | |||
| 12 | Glamour Portraits | |||
| 13 | Steichen Gallery Reinstallation | |||
| 14 | Photography as Printmaking | |||
| 15 | Portrait Photographs |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Photo Eye of the 20s | |||
| 2 | The Artist as Adversary | |||
| 3 | Clarence H. White | |||
| 4 | Photographs of Women | |||
| 5 | Collage and the Photo-Image | |||
| 6 | Steichen: The Master Prints, 1895–1914 | |||
| 7 | Art of the Twenties | |||
| 8 | In the Twenties: Portraits from the Photography Collection | |||
| 9 | Edward Steichen Photography Center Reinstallation |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Selections from the ALS | |||
| 2 | Reinstallation of the Collection | |||
| 3 | American Landscapes | |||
| 4 | Still Life | |||
| 5 | From the Gilman Collection: Photographs Preserved in Ink | |||
| 6 | Self Portrait: The Photographer's Persona, 1840–1985 | |||
| 7 | Variants | |||
| 8 | Picturing "Greatness" |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | Photography Until Now | |||
| 2 | Artist's Choice: Chuck Close, Head-On/The Modern Portrait | |||
| 3 | Selections from the Collection | |||
| 4 | Gesture and Pose: Twentieth-Century Photographs from the Collection | |||
| 5 | American Politicians: Photographs from 1843 to 1993 | |||
| 6 | Masterworks from the Louise Reinhardt Smith Collection | |||
| 7 | Modern Starts: People | |||
| 8 | Language of the Body | |||
| 9 | Actors, Dancers, Bathers | |||
| 10 | Posed to unposed: Encounters with the Camera |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | War | |||
| 2 | Seeing Double | |||
| 3 | Life of the City | |||
| 4 | Photography: Inaugural Installation | |||
| 5 | Photography Collection: Rotation 3 | |||
| 6 | Photography Collection: Rotation 4 | |||
| 7 | Photography Collection: Rotation 6 |
| # | Start | End | Location | Title |
|---|---|---|---|---|
| 1 | The Original Copy: Photography of Sculpture, 1839 to Today | |||
| 2 | Photography Collection: Rotation | |||
| 3 | The Shaping of New Visions: Photograph, Film, Photobook | |||
| 4 | Cut 'n' Paste: From Architectural Assemblage to Collage City | |||
| 5 | American Modern: Hopper to O'Keeffe |